A Conversation with Cheryl Lescom
Cheryl Lescom can belt them out with the best of them and has been doing exactly that over the years. She’s got a voice that could stop a train and when she belts it out, you know you’re listening to someone with unique talent. She’s performed with the crème de la crème of blues artists.
Ken Wallis interviewed for the radio show Blues Source Canada. The following are excerpts from that interview.
Ken: We're featuring the recent release of a great album…Cheryl Lescombe And The Tucson Choir Boys…the album is entitled Well Played and it's a very apt title because it is a terrifically well played album. Joining us to talk about it is Cheryl Lescom…Cheryl thanks for coming on the show.
Cheryl: Thank you very much for having me Ken.
Ken: First of all, I saw a press release…I can't believe this…you've been part of the Canadian music scene for over 45 years…seriously?
Cheryl: I started in ‘75 on the road…I started singing in about ‘73. So what does that make it? Let's do the math…yeah 40 years plus…I've been around for a while anyway.
Ken: The album is entitled Well Played. Where does the title come from?
Cheryl: My brain [LAUGH]…the songs are sort of songs that you can grow old to. I'm not a young spring chicken and neither is anything that I write about. Most of the guys in The Tucson Choir Boys and Chris included …we're all of an age…so we are all well played…the game has been well played…the music's been well played. I just thought it was a great title.
Ken: Where did they get the title of Tucson Choir Boys from?
Cheryl: You know what…they're just a crazy bunch of guys. I think it was better than The Mississauga Choir Boys or whatever. I don't know…I have no idea…they had that name before I started working with them…so I've never really kind of gotten into that. I'm sure there's some sort of crazy-ass story going on there.
Ken: How did you get hooked up with them?
Cheryl: My third cd was High-Heeled Blues and Ray Walsh who's a bass player was hired to play on the cd. I just got along with him famously and after that we started writing and it’s been really easy. He's just a gentle soul and a great guy to work with and the Tucson Choir Boys are all great too including Chris… she's not a boy but she's part of it…they’re just a great bunch of people to work with and that's been happening now since 2005….it's been a while and we really enjoy playing with each other so it's great.
Ken: So, basically the two of you write most of the tunes?
Cheryl: Yeah, I do the lyrics and have a sort of a melody in my head and then Ray and I get together and we kind of chop through things and then we take it to the band and the band sprinkles fairy dust on it. This cd took three years because of the pandemic. We were going to release it last year…actually in March and when this started happening and all the rumours of our gigs going…so there was no rush to put this out. I decided that let's just take our time to really mix this…get some different drums on there so we kind of fine-tuned it a little bit more than we would have maybe. All things happen for a reason and I'm really happy with the result.
Ken: How did you go about selecting the songs that appeared on the album?
Cheryl: Well you just write them… with every cd that I've written you can kind of tell what phase I'm going through…in this phase I'm going through the I'm old and ignored.
Ken: Oh boy…well if you're old I'm ancient.
Cheryl: I guess you know what I mean. I've got two sons and it's just a comic routine when they get together because it's just oh mom, oh mom. You stand at the store and you kind of realize well I'm not gonna get served first because I'm old and there's all sorts of prejudice that comes along with that and I won't get into that but it's comical as far as I'm concerned…but it is definitely apparent and it's definitely there so I wanted to write about it.
Ken: For folks that haven't heard the album yet, how would you describe the music on this album?
Cheryl: That's a tough one…I don't know…it's sort of a bluesy rootsy…does that make sense? It's not commercial …it's not poppy. People have been always hard pressed to put their finger on the label for me. I don't do classic 12 bar blues but I have a very bluesy voice and my delivery is very bluesy so the combination with the Tucson Choir Boys, being sort of much more acoustic…they don't have that heavy edge. That's what I love so much about working with them too is because there's a ying and a yang there.
Ken: I've seen you perform numerous times and what always strikes me is how much you enjoy being up on stage and singing your heart out. What's it been like the last little while not being able to perform?
Cheryl: It's been tough…it's been tough for everybody. I count myself lucky because I've had so many years of being able to do it and starting out in the early 70s and having the 70s 80s 90s where you could make a real good living…a living you could buy a house…you could have a family…you could do everything you could do and you could do it with making music full-time. Now it's a whole different ball game so I just feel really blessed to be able to have done it for as long as I have and if I can continue to do it I'll be equally as blessed. I miss it a lot just because it's sort of like my therapy and you really feel that love. I'm sitting here in my house with my dog…and I miss that part of it. I miss people…I'm a people person but I just do feel really blessed to have had it for so long. I feel bad for the people that haven't been able to have that sort of underneath their belt.
Ken: You've certainly played and sung with a lot of great artists… Ronnie Hawkins…Long John Baldry…you're featured in the Mighty Duck Blues Band CD. Is there any one artist that you always felt that you really wanted to perform with and you haven't so far?
Cheryl: Hmm…Lenny Kravitz? You know I've been really lucky to play with some of the best in Canada… no there's nobody that I really would like to play with that I haven't played with. I feel blessed to play with anybody...I mean I'd love to be able to play with Zeppelin or something like that just for the heck of it. Ann Wilson from Heart was a big part of the reason why I got into this business…I've been really lucky… I don't want for anything anymore.
Ken: Well that's a great feeling…you've been involved for years with the Kitchener Blues Festival…performing and as a stage host. Is there anything happening this summer or is it on the shelf?
Cheryl: Well we don't know yet. We're hoping that in some form. Last year there was some live streaming that we got together and they had some grant money…they had a very small audience of 25 people and outdoors… and it was for Friday and Saturday night…there was maybe six or seven acts. I played to 25 people and I'd rather not play because it really makes me realize what I don't have. Having a live audience that's breathing on you and loving you is important…playing in a trojan condom with a shower curtain or whatever else is in front of you is just no fun. You can't see the audience…that plastic shower curtain causes a glare so you can't even see the people that are in front of you…all you can see is yourself. It's like playing in front of a mirror….I’m done being 11 years old.
Ken: Well I sure hope it happens again…it's one of my favorite festivals and I go every year…it's just such a great plethora of artists.
Cheryl: Yeah it will happen Ken…I'm just not quite sure in what capacity. My big thrill with the Kitchener Blues Festival is the Grand River Blues Camp for the kids that starts on the Tuesday before the festival and then the kids kick off the festival on the Friday. We get these kids for Tuesday Wednesday Thursday and then Friday is show time. Usually there's about five or six hundred people in the audience…there's 60 kids that come up and we really have a good time and that's my favorite part of the festival…Matt Weidinger came up from there…there's been a lot of great kids that are now teaching and it's just such a thrill because they’re the next generation and seeing how excited they are and how talented they are…that's my favorite part and I don't think that's going to be happening this year just because of covid. You see these kids every year for like eight years or nine years. I’ve been doing it for 10 years and you hope that you get to see them next year because they grow and they change so much. I really miss them and that's what I'm missing more than anything because if I don't see them for two years there's some that I won't see again.
Ken: That's one of the things I've noticed in the blues world…there's a lot of up-and-coming young people that are quite dedicated…quite talented and really want to get out there in front of audiences.
Cheryl: That's the only way you can do it…if you want to be a musician and write music you can…but if you want to be a performer you have to have a live audience and for me that's always been the reason why I've done it and I love it so much. Once you get that sort of bug it's hard to stop and without that, it's kind of hard to focus…it’s hard to understand where you're going. I'm really praying that we get back to bars because bars are where kids learn and especially now with all of the talent. We have a Wednesday night jam here in Kitchener where the kids were invited to come down to the Rhapsody Barrel Bar and they played with all the seasoned musicians in town. The kids got a chance to play and meet a lot of kids their own age plus a lot of their mentors and people that are going to help them do anything as far as playing their instruments or singing. There's a big difference between a musician and a performer.
Ken: The album is called well played…it’s Cheryl Lescom and The Tucson Choir Boys…where can folks get the album?
Cheryl: www.cheryllescom.com. Encore Records in Kitchener has them…they've got all my cds…and on the website you can get all the cds…there for your dining and dancing entertainment.
Ken: It's a great album Cheryl I've been enjoying it and we'll be featuring it over the next couple of weeks on the show. Thank you so much for your time Cheryl and hope to see you live on stage someday soon.
Cheryl: Yes someday soon…in the meantime stay healthy take care e of yourself…bye-bye.
We're celebrating the 1 YEAR ANNIVERSARY of our Big Launch show with another incredible event!
The stellar lineup includes:
Chuck Jackson Steve Strongman Sandra Bouza Selena Evangeline David Rotundo Ira Walker Spencer Mackenzie The EBS All Stars: Colin Lapsley, Jesse O'Brien, Dave King & Roly Platt Tickets: $55* + fees
EBS Members Discount is 10% - you should have recieved the discount code via email.
Doors @ 7:00pm Show @ 7:30pm
Get your TICKETS HERE !
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November 28, 2024 The Escarpment Blues Society honoured The Downchild Blues Band with the organizations Hall of Fame Award presented on stage to band leader Donnie Walsh by President Ken Wallis. Much love and appreciation for the epic years of blues music |
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Southside Shuffle!
Ken Wallis, President of The Escarpment Blues Society attended the 26th Annual Port Credit Blues and Jazz Festival, the weekend of September 6,7, and 8. It was three days of solid music that kept everyone enthralled. The following is a photo review of that weekend with some short comments.

The festival featured 3 stages, The Brightwater Main Stage, The “Not Another Restaurant” Gazebo Stage, and The Queen Bea Stage. Plus, The Liuna! Street Shuffle featured a boatload of bands and there was music in many local clubs. We couldn’t get to all the acts. You’d have to be beamed up to each stage and then run to the next one. I always say it’s like Halloween. You go from one stage to another to get a treat.
Due to storage space, we are only able to feature the acts of the two main stages, The Brightwater Mainstage and The ‘Not Another Restaurant’ Gazebo stage.
The weather forecast leading up to the weekend was dismal. 90% rain and lots of rain predicted. Fortunately, there were only a few sprinkles. The blues gods were with us!
Friday night, the Brightwater Main Stage kicked of with Durham County Poets. Led by superb vocalist Kevin Harvey, the Poets brought some great hand me down blues, which just happens to be the album that garnered them a Juno nomination in 2019 for Blues Album Of The Year.


Then Bywater Call took the stage. Led by vocalist Meghan Parnell and Dave Barnes on guitar, this rockin’ seven-piece band featured some tunes from their new album Shepherd. They even had the audience up and dancing when they covered Stephen Stills’, Love The One You’re With.


We hustled over to the ‘Not Another Restaurant’ Gazebo stage to catch a few tunes by Big Dan Deffares. He’ll be headed to Memphis for the International Blues Challenge and there’s a fund-raiser scheduled for Sunday September 29 in St. Thomas.


Then back to the main stage as Sue Foley wrapped up the night. With her signature pink guitar, she showed why she’s won four consecutive Traditional Blues Female Awards at the Blues Music Awards in Memphis. What a great way to start the weekend!


Saturday the weather held off and the Southside Shuffle rolled out a ton of music.
At the main stage we heard Philip Sayce. And I do mean HEARD! His guitar sailed through the park, attracting a large crowd that heard some music from his latest album, The Wolves Are Coming.


Then Steve Marriner and Jimmy Bowskill put on riveting show. Together these two virtually put the stage on fire with some jaw-dropping guitar work. These two mesh together like copy and paste.


Then it was time for Jim Cuddy, as he hits the road for his All World Fades Away Tour with tunes from his newest release. As part of Blue Rodeo, he’s toured extensively and released 16 albums.


Over at the other stage Dwayne LaForme and his band treated the audience to some Boogie Blues that demanded you put on your dancing shoes.


What a treat to listen to Cheryl Lescom and the Tucson Choir Boys. Cheryl has been on the music scene for years, touring with the likes of Ronnie Hawkins and Long John Baldry. They performed their signature tune, Wise Old Owl, and they announced that they’re in the process of recording a new album.


The Tonewheels featuring Matt Weidinger. When it comes to Hammond organ excellence, Matt gives it all. The trio hailing from Kitchener is noted for their instrumental tunes and handling a variety of different genres. We were captivated by their version of Compared to What, the Eddie Harris and Les McCann classic.


From Ottawa way, Murray Kinsley and Wicked Grin stormed the stage with a multitude of tunes. Along with Larry Kurtz on harmonica, the band let loose with a solid set and Murray played his cigar box guitar fashioned by Matt Isabel of Ghost Town Blues Band.


Sunday the weather was perfect, and the sunshine promised a bright day of music.
Ladies of Sweet Soul Music socked it out on the main stage. Four special guest artists brought some classics to the audience featuring a Quisha Wint impersonation of Tina Turner.


Then the band I had been most thrilled to see, The Blackburn Brothers. Words cannot describe what jewels of the Canadian music scene they are. Their family’s resilience is testament to their ancestors gaining their freedom through the Underground Railway. Their latest album SoulFunkn'BLUES, just won 2024 Blues Blast Music Award Soul Blues Album Of The Year.


Matt Minglewood brought his 60-year career experience to the park. From Down East, Matt brought along Roly Platt on harmonica, which made for a rousing set of great tunes.


Nothing needs to be said about The Legendary Downchild Blues Band. They have played the Southside Shuffle every year of its existence and they are launching their Farewell Tour, so it’s a treat to catch them now. Special note: The Farewell Tour, will be coming to The Studio in Hamilton on November 28, 2024 at 7:30 pm with special guest Jeff Rogers. The show is presented by The Escarpment Blues Society.


What a weekend. It was worth the sore legs and tired bodies. It doesn’t get any better than this!
And many thanks to the founder and Artistic Director, Chuck Jackson, who along with his wife, make this a very special festival.


May 6, 2024
BIG LAUNCH CONCERT’ KICKS OFF NEW MUSIC GROUP
Read the Full Article HERE by Ken Wallis

Hamilton City Magazine - December 2023
Read the full article here

The Escarpment Blues Society is about to take flight!
The Sound Cafe - December 2023
read the full article here!
Welcome to 2024! Message from our President!
Happy New Year to Blues and Roots music lovers who follow Escarpment Blues Society. As the year 2024 starts to unroll, the Escarpment Blues board is busy preparing for the official launch on Tuesday May 28th. The launch takes place at the Ancaster Memorial Arts Centre in the beautiful, state-of-the-art, 470-seat Peller Hall Theatre, which boasts fantastic acoustics that are fit for an evening of rocking good music. The evening will feature the Escarpment Blues All Star Band and a stellar lineup of guest musicians! We will gradually release the names as they become available, and tickets can be purchased through the Memorial Arts Centre Box office in the near future.
Memberships for Escarpment Blues Society are now available at a reduced rate for one- and two-year memberships. The anniversary date for all who purchase memberships now will not commence until the official launch. Go to escarpmentbluessociety.ca to get your reduced-cost membership. Regular prices will be in effect after May 28th. Also check out our Facebook page and join our private group.
The May 28th date will only be the beginning of support for blues and roots music in the months to come. We will announce more exciting news as we gradually roll out support and concerts. Get your dancing shoes dusted off for some fun-filled music events!
Here’s to 2024!
Cheers
Ken Wallis, President
